Final Show Review

On completing my final installation for the show I’m relatively happy with the final outcome. I had a few hardware problems towards the end and had to downgrade on the speakers that I was using. I realised that my boxes have come a long way from when I was starting to make a faraday cage and it’s interesting to look at how they have developed. I wasn’t actually planning on the room looking so eerie, those red lights from the arduino are just a mistake but I’m happy with them as it just adds another interesting element to it. One thing that I’m really disappointed with is the lack of information I have about the piece, especially the fully recording of the parcel. When I listen back to the sounds myself it’s quite interesting to listen to a certain number out of the 141 because I’m able to have a guess about whereabouts it is due to how high or low the number is. Unfortunately unless I add something before Thursday there is no way that somebody will be able to know what point the sound is up to. One of the things that I would definitely change if I could would be the boxes and the speakers. I would much prefer some kind of metal box and massive subwoofers.

I feel as though a lot more could have been done in the room that I was provided but none the less I made use of the fact that nobody else is going to be in close proximity to me. Now I just hope other people are intrigued b what they hear or see. A few more tweaks are needed before next Thursday.

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Glastonbury 2019

Although I missed a chunk of installing my work for the final show I wouldn’t have changed it for the world as Glastonbury truly is my most favourite place in the world with so much to do and see. I went to visit Wolfgang Buttress ‘Beam’ installation whilst I was there and was blown away by how much had into the piece and how it is somewhat related to things that I have been interested in when creating sound installations. In this sound installation Buttress records the sound of a bee hive live through accelerometers, and their live signals are transmitted to Beam and converted into light and sound, essentially expressing the mood and energy of the colony, live, as an inhabitable experience. The bees were ultimately playing the role as DJ. This humming sound was very calm and soothing to the point where I sat in the middle for almost an hour in pour silents. The installation was in the Greenpiece area of Glastonbury and eventually a volunteer came and spoke to me about the installation. It turns out that the volunteer is a sound designer currently studying his MA in Sound Design, I spoke to him about my background and what I’ve currently been trying to do for the part couple of years coming from a predominately visual background and we had a lengthy chat and exchanged numbers. Me and my new friend also have a very similar taste in music and we’re currently exchanging ideas.

Bring this sounds new life and meaning is something that I would like to do in other new and exciting ways. Unfortunately we had a conversation about how much the equipment was to install that work and how many people worked on it but it’s still not going to stop me. Making artwork is a hobby to me and that what I’ll end up spending my money on the majority of the time. Even m final show next week is out of my price range.

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Pre installation setup

Before I went off to Glastonbury I had a couple of days to get as much done as I could. I painted the whole room black and took a second count of measurements. I also had a look at some likes that could possibly light up my sound recorder if I get it returned to me in time. The main painstaking job was painting the room, the rest is now finishing off my boxes.

Critical Evaluation

Right at the very begin of the course I was interested in exploring sound as a chosen medium. Before the start of the MA I hadn’t really dabbled in using sound much as saw these two years as a way of growing a greater understand of not only how to make artwork using sound but also what theoretical relevance sound has in art.

During the interm show last year I got my first taste of trying to exhibit a piece of work which challenged my most recent research and to date it is the only piece of work other then the upcoming degree show which I’m happy to put in a portfolio of work. Having the work in the interm show and the upcoming MA show has put me in a position where I need to create work because I have a space where I can show work. This privileged possession is one which I would like to be in more often which is why I must make more of an effort with making connections and asking places if they can show some of my work as it’s simply not going to come to me.

Although I struggled massively with my research paper a substantial amount was taken from it on how I should approach my practice when using sound in the future if I continue to do so. I would necessarily say that my research paper was the driving force to my current practice it was reflective thinking on research surrounding sound.

Space, time and money are the three things which have unfortunately governed my past two years in producing artwork but this isn’t something which has or will ever stop me. A few years before the start of my MA I’d been producing a substantial amount work work which I was proud of and I feel as though ever since then I’m trying to chase the same work ethic and freedom. In the near future my focus is going to be on producing more work that I can fit into a portfolio and trying to find places which will show my work alongside hopefully having more space for my practice to evolve.

Not everything has to happen right now, being 26 I’m aware that I have a lot of time, (even if that time is part time) to work on what I enjoy doing which is making artwork. Sound art is something that I have made but a sound artist is something that I wouldn’t define myself as. I’m simply an artist.  I’ve known for a long time now that I’ll never stop trying to create artwork and I look to ultimately broaden on everything which I have worked on over the years.

Final Show Proposal – Parcel Number: 1ZA66R340494943837

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Proposal

‘Parcel Number: 1ZA66R340494943837’ – This is the title of my final installation piece on the MA as the installation is centred around the parcel which I sent to my friend in Washington DC with an active sound recorder inside the parcel. In my square room I’m going to have the walls painted black and if possible I’m going to try and fave the floor fabricated. Objects in the room will include a plinth with the parcel and black box rested on the plinth with a backlight.  There will also be 8 black boxes which have speech playing from different parts of the duration of the parcel. These boxes will open and close automatically by themselves at random times. I’m yet to finalise how these boxes will be laid out around the room. Finally there will be a beanbag in the centre of the room with noise cancelling headphones rested on the to invite people to listen to whats being played.

Concept

There’s a lot of different sounds that we normally can’t hear or choose not to hear and I’m simply bring these sounds to attention. Most of the sounds alone would be disinteresting to people until they understand where the sounds are coming from. There’s also the status of the object (parcel) which is by itself not very interesting until people discover something about the life of the object. I was planned to have the sound of the parcel playing out loud but I want to limit the amount of people that listen to the full sound recording to one because the I want the object and the viewer to have more of an intimate relationship. Therefore I will have the full audio recording playing on an mp3 player with noise canceling headphones. Due to the full length of sound being 48:00:46 long I understand that people aren’t going to be able to listen to every second of the recording so I’ll have 8 boxes that all play speech that I have found in the 48hrs of recording. The sounds of the voice will be muffled because they’ll be in a confined box until they open exposing one of the sounds greater than the other. This gives viewers a chance to listen to some of the really interesting parts of the journey and hopefully allows them to consider ambient sounds around them in everyday life.

Keywords: Hidden Sounds, Ambience, Object, Sound

Audience Engagement

I want the view to fill comfortable so that they can actually engage in listening to the sounds, especially the full length recording. Having fabric on the ground and a bean bag is all to try and get the audience to feel comfortable enough in the room to stay and listen to the full length recording as long as possible. If I can find the right comfort for the floor I might ask people to take their shoes off before they enter. I got inspiration from this by going to visit the dream house in Manhattan where an appartment had been transformed into a sound installation for the public to enter, before you enter you have to take your shoes off and theres cushion everywhere and a really comfortable carpet, it draws you in to listen as deep as you possibly can.

Group tutorial with Kaori Homma

From this tutorial I got a greater understanding of certain decisions I should be making in the near future. When it comes to the degree show in a couple weeks people spoke about how important it is that people understand what it is when they go into my space and listen to the sounds. So a short explanation of what people are listening to is vital. We also discussed the capacity of my room and how many people that I would like to be in the room at the same time. In the explanation I’m considering having a one in one out policy so that one a person enters the space they are not distracted by others and that the relationship between the sounds, object and person is of more significants.

On talking about further plans Kaori highlighted the importance for working on the method of collecting sounds through sending them to places that we  normally are unable to hear. There’s clearly something in it and instead of dropping it and seeing it as a dead end try and think deeper into how I can implement the process into other pieces of work that I might do in the future especially whilst travelling around Asia. Whilst I’m in Asia as well it’s worth me looking up art scenes in various locations and attempt to build connections and possibly find an opportunity to create something whilst I’m out there. My plan is to be in Japan for a few months in the winter which is where I can have an actual base for awhile.